Polyphony and the Modern

Polyphony and the Modern PDF Author: Jonathan Fruoco
Publisher: Routledge
ISBN: 1000391086
Category : Literary Criticism
Languages : en
Pages : 272

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Book Description
Polyphony and the Modern asks one fundamental question: what does it mean to be modern in one’s own time? To answer that question, this volume focuses on polyphony as an index of modernity. In The Principle of Hope, Ernst Bloch showed that each moment in time is potentially fractured: people living in the same country can effectively live in different centuries – some making their alliances with the past and others betting on the future – but all of them, at least technically, enclosed in the temporal moment. But can a claim of modernity also mean something more ambitious? Can an artist, by accident or design, escape the limits of his or her own time, and somehow precociously embody the outlook of a subsequent age? This book sees polyphony as a bridge providing a terminology and a stylistic practice by which the period barrier between Medieval and Early Modern can be breached. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at https://www.taylorfrancis.com/books/edit/10.4324/9781003129837

The New Music

The New Music PDF Author: Theodor W. Adorno
Publisher: John Wiley & Sons
ISBN: 1509538097
Category : Philosophy
Languages : en
Pages : 500

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Book Description
A year after the end of the Second World War, the first International Summer Course for New Music took place in the Kranichstein Hunting Lodge, near the city of Darmstadt in Germany. The course, commonly referred to later as the Darmstadt course, was intended to familiarize young composers and musicians with the music that, only a few years earlier, had been denounced as degenerate by the Nazi regime, and it soon developed into one of the most important events in contemporary music. Having returned to Germany in 1949 from exile in the United States, Adorno was a regular participant at Darmstadt from 1950 on. In 1955 he gave a series of lectures on the young Schoenberg, using the latter’s work to illustrate the relation between tradition and the avant-garde. Adorno’s three double-length lectures on the young Schoenberg, in which he spoke as a passionate advocate for the composer whom Boulez had declared dead, were his first at Darmstadt to be recorded on tape. The relation between tradition and the avant-garde was the leitmotif of the lectures that followed, which continued over the next decade. Adorno also dealt in detail with problems of composition in contemporary music, and he often accompanied his lectures with off-the-cuff musical improvisations. The five lecture courses he gave at Darmstadt between 1955 and 1966 were all recorded and subsequently transcribed, and they are published here for the first time in English. This volume is a unique document on the theory and history of the New Music. It will be of great value to anyone interested in the work of Adorno and critical theory, in German intellectual and cultural history, and in the history of modern music.

Music in the Middle Ages: A Reference Guide

Music in the Middle Ages: A Reference Guide PDF Author: Suzanne Lord
Publisher: ABC-CLIO
ISBN: 0313083681
Category : Music
Languages : en
Pages : 216

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Book Description
Music both influences and reflects the times in which it was created. In the Middle Ages, the previous Dark Ages, the Crusades, and the feudal system all impacted the types and forms of music in the period. Charlemagne standardized the church mass and promoted the Gregorian chant, to the point of threatening excommunication if any other were performed. Musical notation — the staff line — was developed during the period. The troubadours of France, Meistersingers of Germany,the Cantus Firmus of Italy, and the instruments that played the music are all included in this thorough guide to music of the middle ages. Topics include: the British Isles, Dance Music, Eastern Europe, France, Germanic Lands, Harps, Italy, the Low Countries, Spain, and more.

Renaissance Polyphony

Renaissance Polyphony PDF Author: Fabrice Fitch
Publisher: Cambridge University Press
ISBN: 1108882668
Category : Music
Languages : en
Pages :

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Book Description
This engaging study introduces Renaissance polyphony to a modern audience. It helps readers of all ages and levels of experience make sense of what they are hearing. How does Renaissance music work? How is a piece typical of its style and type; or, if it is exceptional, what makes it so? The makers of polyphony were keenly aware of the specialized nature of their craft. How is this reflected in the music they wrote, and how were they regarded by their patrons and audiences? Through a combination of detailed, nuanced appreciation of musical style and a lucid overview of current debates, this book offers a glimpse of meanings behind and beyond the notes, be they playful or profound. It will enhance the listening experience of students, performers and music lovers alike.

The Crisis of Music in Early Modern Europe, 1470-1530

The Crisis of Music in Early Modern Europe, 1470-1530 PDF Author: Rob C. Wegman
Publisher: Routledge
ISBN: 0415975123
Category : Music
Languages : en
Pages : 253

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Book Description
In the final decades of the fifteenth century, the European musical world was shaken to its foundations by the onset of a veritable culture war. At a time when composers like Obrecht, Isaac, and Josquin were bringing the craft of composition to new heights of artistic excellence, critics began to insist that art polyphony was useless, wasteful, immoral, decadent, and effeminizing. They campaigned aggressively to popularize those criticisms, challenging old certainties about music, and threatening its position in contemporary church and society. Their most effective slogans became critical commonplaces, ideas that left their mark in the writings of figures as diverse as Leonardo, Erasmus, Savonarola, Castiglione, and others. Yet defenders of polyphony struck back with a vicious counter-offensive, and for several decades music would remain a topic of bitter controversy. When the crisis had finally passed, in the 1530s, nothing would ever be the same again. The Crisis of Music in Early Modern Europe tells the story of this cultural upheaval, drawing on a wide range of little-known texts and documents, and weaving them together in a narrative that takes the reader on an eventful musical journey through early-modern Europe.

Amy Lowell, American Modern

Amy Lowell, American Modern PDF Author: Professor Adrienne Munich
Publisher: Rutgers University Press
ISBN: 9780813533568
Category : Literary Criticism
Languages : en
Pages : 208

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Book Description
A collection of essays that explore the influence, work, and legacy of Pulitzer Prize-winning American poet Amy Lowell.

Philosophy of Modern Music

Philosophy of Modern Music PDF Author: Theodor W. Adorno
Publisher: A&C Black
ISBN: 9780826414908
Category : Music
Languages : en
Pages : 220

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Book Description
A landmark work from the founder of the Frankfurt School. A key work in the study of Adorno, of interest to students and general readers alike.

Polyphonic Minds

Polyphonic Minds PDF Author: Peter Pesic
Publisher: MIT Press
ISBN: 0262543893
Category : Music
Languages : en
Pages : 339

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Book Description
An exploration of polyphony and the perspective it offers on our own polyphonic brains. Polyphony—the interweaving of simultaneous sounds—is a crucial aspect of music that has deep implications for how we understand the mind. In Polyphonic Minds, Peter Pesic examines the history and significance of “polyphonicity”—of “many-voicedness”—in human experience. Pesic presents the emergence of Western polyphony, its flowering, its horizons, and the perspective it offers on our own polyphonic brains. When we listen to polyphonic music, how is it that we can hear several different things at once? How does a single mind experience those things as a unity (a motet, a fugue) rather than an incoherent jumble? Pesic argues that polyphony raises fundamental issues for philosophy, theology, literature, psychology, and neuroscience—all searching for the apparent unity of consciousness in the midst of multiple simultaneous experiences. After tracing the development of polyphony in Western music from ninth-century church music through the experimental compositions of Glenn Gould and John Cage, Pesic considers the analogous activity within the brain, the polyphonic “music of the hemispheres” that shapes brain states from sleep to awakening. He discusses how neuroscientists draw on concepts from polyphony to describe the “neural orchestra” of the brain. Pesic’s story begins with ancient conceptions of God’s mind and ends with the polyphonic personhood of the human brain and body. An enhanced e-book edition allows the sound examples to be played by a touch.

A Complete History of Music

A Complete History of Music PDF Author: W.J Baltzell
Publisher: BoD – Books on Demand
ISBN: 3752350989
Category : Fiction
Languages : en
Pages : 456

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Book Description
Reproduction of the original: A Complete History of Music by W.J Baltzell

Modern Poetry and Ethnography

Modern Poetry and Ethnography PDF Author: S. Heuston
Publisher: Springer
ISBN: 0230119875
Category : Literary Criticism
Languages : en
Pages : 195

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Book Description
This study maps a new approach to the works of W.B. Yeats, Robert Frost, Robert Penn Warren, and Seamus Heaney. Sean Heuston combines interdisciplinary analysis, specifically ethnography, with close reading, and in so doing argues provocatively for the intersection of modern poetry studies and contemporary ethnographic theory.

Polyphony and the Modern

Polyphony and the Modern PDF Author: Jonathan Fruoco
Publisher: Routledge
ISBN: 1000391086
Category : Literary Criticism
Languages : en
Pages : 272

View

Book Description
Polyphony and the Modern asks one fundamental question: what does it mean to be modern in one’s own time? To answer that question, this volume focuses on polyphony as an index of modernity. In The Principle of Hope, Ernst Bloch showed that each moment in time is potentially fractured: people living in the same country can effectively live in different centuries – some making their alliances with the past and others betting on the future – but all of them, at least technically, enclosed in the temporal moment. But can a claim of modernity also mean something more ambitious? Can an artist, by accident or design, escape the limits of his or her own time, and somehow precociously embody the outlook of a subsequent age? This book sees polyphony as a bridge providing a terminology and a stylistic practice by which the period barrier between Medieval and Early Modern can be breached. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at https://www.taylorfrancis.com/books/edit/10.4324/9781003129837

The New Music

The New Music PDF Author: Theodor W. Adorno
Publisher: John Wiley & Sons
ISBN: 1509538097
Category : Philosophy
Languages : en
Pages : 500

View

Book Description
A year after the end of the Second World War, the first International Summer Course for New Music took place in the Kranichstein Hunting Lodge, near the city of Darmstadt in Germany. The course, commonly referred to later as the Darmstadt course, was intended to familiarize young composers and musicians with the music that, only a few years earlier, had been denounced as degenerate by the Nazi regime, and it soon developed into one of the most important events in contemporary music. Having returned to Germany in 1949 from exile in the United States, Adorno was a regular participant at Darmstadt from 1950 on. In 1955 he gave a series of lectures on the young Schoenberg, using the latter’s work to illustrate the relation between tradition and the avant-garde. Adorno’s three double-length lectures on the young Schoenberg, in which he spoke as a passionate advocate for the composer whom Boulez had declared dead, were his first at Darmstadt to be recorded on tape. The relation between tradition and the avant-garde was the leitmotif of the lectures that followed, which continued over the next decade. Adorno also dealt in detail with problems of composition in contemporary music, and he often accompanied his lectures with off-the-cuff musical improvisations. The five lecture courses he gave at Darmstadt between 1955 and 1966 were all recorded and subsequently transcribed, and they are published here for the first time in English. This volume is a unique document on the theory and history of the New Music. It will be of great value to anyone interested in the work of Adorno and critical theory, in German intellectual and cultural history, and in the history of modern music.

Music in the Middle Ages: A Reference Guide

Music in the Middle Ages: A Reference Guide PDF Author: Suzanne Lord
Publisher: ABC-CLIO
ISBN: 0313083681
Category : Music
Languages : en
Pages : 216

View

Book Description
Music both influences and reflects the times in which it was created. In the Middle Ages, the previous Dark Ages, the Crusades, and the feudal system all impacted the types and forms of music in the period. Charlemagne standardized the church mass and promoted the Gregorian chant, to the point of threatening excommunication if any other were performed. Musical notation — the staff line — was developed during the period. The troubadours of France, Meistersingers of Germany,the Cantus Firmus of Italy, and the instruments that played the music are all included in this thorough guide to music of the middle ages. Topics include: the British Isles, Dance Music, Eastern Europe, France, Germanic Lands, Harps, Italy, the Low Countries, Spain, and more.

Renaissance Polyphony

Renaissance Polyphony PDF Author: Fabrice Fitch
Publisher: Cambridge University Press
ISBN: 1108882668
Category : Music
Languages : en
Pages :

View

Book Description
This engaging study introduces Renaissance polyphony to a modern audience. It helps readers of all ages and levels of experience make sense of what they are hearing. How does Renaissance music work? How is a piece typical of its style and type; or, if it is exceptional, what makes it so? The makers of polyphony were keenly aware of the specialized nature of their craft. How is this reflected in the music they wrote, and how were they regarded by their patrons and audiences? Through a combination of detailed, nuanced appreciation of musical style and a lucid overview of current debates, this book offers a glimpse of meanings behind and beyond the notes, be they playful or profound. It will enhance the listening experience of students, performers and music lovers alike.

The Crisis of Music in Early Modern Europe, 1470-1530

The Crisis of Music in Early Modern Europe, 1470-1530 PDF Author: Rob C. Wegman
Publisher: Routledge
ISBN: 0415975123
Category : Music
Languages : en
Pages : 253

View

Book Description
In the final decades of the fifteenth century, the European musical world was shaken to its foundations by the onset of a veritable culture war. At a time when composers like Obrecht, Isaac, and Josquin were bringing the craft of composition to new heights of artistic excellence, critics began to insist that art polyphony was useless, wasteful, immoral, decadent, and effeminizing. They campaigned aggressively to popularize those criticisms, challenging old certainties about music, and threatening its position in contemporary church and society. Their most effective slogans became critical commonplaces, ideas that left their mark in the writings of figures as diverse as Leonardo, Erasmus, Savonarola, Castiglione, and others. Yet defenders of polyphony struck back with a vicious counter-offensive, and for several decades music would remain a topic of bitter controversy. When the crisis had finally passed, in the 1530s, nothing would ever be the same again. The Crisis of Music in Early Modern Europe tells the story of this cultural upheaval, drawing on a wide range of little-known texts and documents, and weaving them together in a narrative that takes the reader on an eventful musical journey through early-modern Europe.

Amy Lowell, American Modern

Amy Lowell, American Modern PDF Author: Professor Adrienne Munich
Publisher: Rutgers University Press
ISBN: 9780813533568
Category : Literary Criticism
Languages : en
Pages : 208

View

Book Description
A collection of essays that explore the influence, work, and legacy of Pulitzer Prize-winning American poet Amy Lowell.

Philosophy of Modern Music

Philosophy of Modern Music PDF Author: Theodor W. Adorno
Publisher: A&C Black
ISBN: 9780826414908
Category : Music
Languages : en
Pages : 220

View

Book Description
A landmark work from the founder of the Frankfurt School. A key work in the study of Adorno, of interest to students and general readers alike.

Polyphonic Minds

Polyphonic Minds PDF Author: Peter Pesic
Publisher: MIT Press
ISBN: 0262543893
Category : Music
Languages : en
Pages : 339

View

Book Description
An exploration of polyphony and the perspective it offers on our own polyphonic brains. Polyphony—the interweaving of simultaneous sounds—is a crucial aspect of music that has deep implications for how we understand the mind. In Polyphonic Minds, Peter Pesic examines the history and significance of “polyphonicity”—of “many-voicedness”—in human experience. Pesic presents the emergence of Western polyphony, its flowering, its horizons, and the perspective it offers on our own polyphonic brains. When we listen to polyphonic music, how is it that we can hear several different things at once? How does a single mind experience those things as a unity (a motet, a fugue) rather than an incoherent jumble? Pesic argues that polyphony raises fundamental issues for philosophy, theology, literature, psychology, and neuroscience—all searching for the apparent unity of consciousness in the midst of multiple simultaneous experiences. After tracing the development of polyphony in Western music from ninth-century church music through the experimental compositions of Glenn Gould and John Cage, Pesic considers the analogous activity within the brain, the polyphonic “music of the hemispheres” that shapes brain states from sleep to awakening. He discusses how neuroscientists draw on concepts from polyphony to describe the “neural orchestra” of the brain. Pesic’s story begins with ancient conceptions of God’s mind and ends with the polyphonic personhood of the human brain and body. An enhanced e-book edition allows the sound examples to be played by a touch.

A Complete History of Music

A Complete History of Music PDF Author: W.J Baltzell
Publisher: BoD – Books on Demand
ISBN: 3752350989
Category : Fiction
Languages : en
Pages : 456

View

Book Description
Reproduction of the original: A Complete History of Music by W.J Baltzell

Modern Poetry and Ethnography

Modern Poetry and Ethnography PDF Author: S. Heuston
Publisher: Springer
ISBN: 0230119875
Category : Literary Criticism
Languages : en
Pages : 195

View

Book Description
This study maps a new approach to the works of W.B. Yeats, Robert Frost, Robert Penn Warren, and Seamus Heaney. Sean Heuston combines interdisciplinary analysis, specifically ethnography, with close reading, and in so doing argues provocatively for the intersection of modern poetry studies and contemporary ethnographic theory.