The Myth of the American Superhero

The Myth of the American Superhero PDF Author: John Shelton Lawrence
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802825737
Category : History
Languages : en
Pages : 416

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Book Description
As the nation seems to yearn for redemption from the evils that threaten its tranquility, the authors maintain that Joseph Campbell's monomythic hero is alive and well, but significantly displaced, in American popular culture.

Captain America and the Crusade Against Evil

Captain America and the Crusade Against Evil PDF Author: Robert Jewett
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802828590
Category : Political Science
Languages : en
Pages : 392

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Book Description
Grasping this vision honored by Judaism, Christianity, and Islam alike includes recognizing the dangers of zealous violence, the illusions of current crusading, and the promise of peaceful coexistence under international law.

The Myth of the Superhero

The Myth of the Superhero PDF Author: Marco Arnaudo
Publisher: JHU Press
ISBN: 1421409534
Category : Comics & Graphic Novels
Languages : en
Pages : 206

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Book Description
Translated for the first time into English, The Myth of the Superhero looks beyond the cape, the mask, and the superpowers, presenting a serious study of the genre and its place in a broader cultural context.

The American Superhero: Encyclopedia of Caped Crusaders in History

The American Superhero: Encyclopedia of Caped Crusaders in History PDF Author: Richard A. Hall
Publisher: ABC-CLIO
ISBN: 1440861242
Category : Literary Criticism
Languages : en
Pages : 370

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Book Description
This compilation of essential information on 100 superheroes from comic book issues, various print and online references, and scholarly analyses provides readers all of the relevant material on superheroes in one place. • Examines in detail how superheroes and superheroines have appeared in comics and other media over the decades • Shows how superheroes and superheroines have reflected the hopes, fears, and values of American society at any given period • Provides scholarly material that gives readers additional important historical context in five essays • Ensures that diverse and obscure superheroes and superheroines are given equal coverage

Home Movies

Home Movies PDF Author: Claire Jenkins
Publisher: Bloomsbury Publishing
ISBN: 0857737767
Category : Social Science
Languages : en
Pages : 224

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Book Description
The American family has long been at the centre of the typical Hollywood narrative. But the depiction of the nuclear family within contemporary mainstream US cinema has not yet been closely studied. Home Movies addresses this oversight by assessing recent cinematic representations of the family in terms of cultural politics and representations of gender, sexuality, race and class. Focusing on a diverse range of popular films - from Meet the Parents to The Incredibles - Claire Jenkins analyses the father-daughter relationship within sequels and series; Meryl Streep's embodiment of the mother; the superhero family and extraordinary manifestations of the ordinary family; disaster films which depict the president as father; 'mom-coms' and Hollywood's representations of the non-traditional family. She combines film studies, gender studies and family history to demonstrate the complexities of Hollywood's family values.

Superheroes: An Analysis of Popular Culture's Modern Myths

Superheroes: An Analysis of Popular Culture's Modern Myths PDF Author: David Reynolds
Publisher: Problematic Press
ISBN: 0986902705
Category : Language Arts & Disciplines
Languages : en
Pages :

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Book Description
A semiotic and cultural anthropological interrogation of popular North American superhero narratives, such as those of Superman, Spider-Man, and Batman, provides insight into how media’s messages influence the culture’s ethical values. Since emerging in the late 1930s, the superhero has become a pervasive figure in North American popular culture. As an extension of ideas presented by Friedrich Nietzsche, Joseph Campbell, and Umberto Eco, this dissertation argues that superhero tales must be regarded as modern mythology. It follows that people observe and learn social norms of justice from such narratives, since these ideals are intrinsic to the tales. In investigating the superhero’s role as a contemporary figure of myth, this project focuses primarily on three areas: an account of the history of the superhero from 1938 to present; an examination of the cultural functions of contemporary superhero narratives; and, an interrogation of vigilantism, responsibility, and justice in these narratives and how those concerns further relate to ideologies and practices in North American culture.

Our Superheroes, Ourselves

Our Superheroes, Ourselves PDF Author: Robin S. Rosenberg PhD
Publisher: Oxford University Press
ISBN: 0199339511
Category : Psychology
Languages : en
Pages : 232

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Book Description
Superhero fans are everywhere, from the teeming halls of Comic Con to suburban movie theaters, from young children captivated by their first comic books to the die-hard collectors of vintage memorabilia. Why are so many people fascinated by superheroes? In this thoughtful, engaging, and at times eye-opening volume, Robin Rosenberg--a writer and well-known authority on the psychology of superheroes--offers readers a wealth of insight into superheroes, drawing on the contributions of a top group of psychologists and other scholars. The book ranges widely and tackles many intriguing questions. How do comic characters and stories reflect human nature? Do super powers alone make a hero super? Are superhero stories good for us? Most contributors answer that final question in the affirmative. Psychologist Robert J. Sternberg, for instance, argues that we all can learn a lot from superheroes-and what we can learn most of all is the value of wisdom and an ethical stance toward life. On the other hand, restorative justice scholar Mikhail Lyubansky decries the fact that justice in the comic-book world is almost entirely punitive, noting extreme examples such as "Rorschach" in The Watchmen and the aptly named "The Punisher, who embrace a strict eye-for-an-eye sense of justice, delivered instantly and without mercy. In the end, the appeal of Superman, Batman, Spiderman, and legions of others is simple and elemental. Superheroes provide drama, excitement, suspense, and romance and their stories showcase moral dilemmas, villains we love to hate, and protagonists who inspire us. Perhaps as important, their stories allow us to recapture periods of our childhood when our imaginations were cranked up to the maximum--when we really believed we could fly, or knock down the bad guy, or save the city from disaster.

American Theology, Superhero Comics, and Cinema

American Theology, Superhero Comics, and Cinema PDF Author: Anthony Mills
Publisher: Routledge
ISBN: 113501437X
Category : Religion
Languages : en
Pages : 206

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Book Description
Stan Lee, who was the head writer of Marvel Comics in the early 1960s, co-created such popular heroes as Spider-Man, Hulk, the X-Men, the Fantastic Four, Iron Man, Thor, and Daredevil. This book traces the ways in which American theologians and comic books of the era were not only both saying things about what it means to be human, but, starting with Lee they were largely saying the same things. Author Anthony R. Mills argues that the shift away from individualistic ideas of human personhood and toward relational conceptions occurring within both American theology and American superhero comics and films does not occur simply on the ontological level, but is also inherent to epistemology and ethics, reflecting the comprehensive nature of human life in terms of being, knowing, and acting. This book explores the idea of the "American monomyth" that pervades American hero stories and examines its philosophical and theological origins and specific manifestations in early American superhero comics. Surveying the anthropologies of six American theologians who argue against many of the monomyth’s assumptions, principally the staunch individualism taken to be the model of humanity, and who offer relationality as a more realistic and ethical alternative, this book offers a detailed argument for the intimate historical relationship between the now disparate fields of comic book/superhero film creation, on the one hand, and Christian theology, on the other, in the United States. An understanding of the early connections between theology and American conceptions of heroism helps to further make sense of their contemporary parallels, wherein superhero stories and theology are not strictly separate phenomena but have shared origins and concerns.

America's Battle for God

America's Battle for God PDF Author: Muller-Fahrenholz
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802844189
Category : History
Languages : en
Pages : 181

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Book Description
A theologian and ecumenical consultant who has served in the World Council of Churches, the Lutheran Church, and Costa Rica, M ller-Fahrenholz tries to make some sense of religious undercurrents in the public culture and political life of the US. He hopes that an outsider may be able to identify elements that Americans are too close to see, acknowl

Marvel Comics into Film

Marvel Comics into Film PDF Author: Matthew J. McEniry,
Publisher: McFarland
ISBN: 0786443049
Category : Performing Arts
Languages : en
Pages : 280

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Book Description
Marvel Studios' approach to its Cinematic Universe--beginning with the release of Iron Man (2008)--has become the template for successful management of blockbuster film properties. Yet films featuring Marvel characters can be traced back to the 1940s, when the Captain America serial first appeared on the screen. This collection of new essays is the first to explore the historical, textual and cultural context of the larger cinematic Marvel universe, including serials, animated films, television movies, non-U.S. versions of Marvel characters, films that feature characters licensed by Marvel, and the contemporary Cinematic Universe as conceived by Kevin Feige and Marvel Studios. Films analyzed include Transformers (1986), Howard the Duck (1986), Blade (1998), Planet Hulk (2010), Iron Man: Rise of Technovore (2013), Elektra (2005), the Conan the Barbarian franchise (1982-1990), Ultimate Avengers (2006) and Ghost Rider (2007).

The Myth of the American Superhero

The Myth of the American Superhero PDF Author: John Shelton Lawrence
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802825737
Category : History
Languages : en
Pages : 416

View

Book Description
As the nation seems to yearn for redemption from the evils that threaten its tranquility, the authors maintain that Joseph Campbell's monomythic hero is alive and well, but significantly displaced, in American popular culture.

Captain America and the Crusade Against Evil

Captain America and the Crusade Against Evil PDF Author: Robert Jewett
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802828590
Category : Political Science
Languages : en
Pages : 392

View

Book Description
Grasping this vision honored by Judaism, Christianity, and Islam alike includes recognizing the dangers of zealous violence, the illusions of current crusading, and the promise of peaceful coexistence under international law.

The Myth of the Superhero

The Myth of the Superhero PDF Author: Marco Arnaudo
Publisher: JHU Press
ISBN: 1421409534
Category : Comics & Graphic Novels
Languages : en
Pages : 206

View

Book Description
Translated for the first time into English, The Myth of the Superhero looks beyond the cape, the mask, and the superpowers, presenting a serious study of the genre and its place in a broader cultural context.

The American Superhero: Encyclopedia of Caped Crusaders in History

The American Superhero: Encyclopedia of Caped Crusaders in History PDF Author: Richard A. Hall
Publisher: ABC-CLIO
ISBN: 1440861242
Category : Literary Criticism
Languages : en
Pages : 370

View

Book Description
This compilation of essential information on 100 superheroes from comic book issues, various print and online references, and scholarly analyses provides readers all of the relevant material on superheroes in one place. • Examines in detail how superheroes and superheroines have appeared in comics and other media over the decades • Shows how superheroes and superheroines have reflected the hopes, fears, and values of American society at any given period • Provides scholarly material that gives readers additional important historical context in five essays • Ensures that diverse and obscure superheroes and superheroines are given equal coverage

Home Movies

Home Movies PDF Author: Claire Jenkins
Publisher: Bloomsbury Publishing
ISBN: 0857737767
Category : Social Science
Languages : en
Pages : 224

View

Book Description
The American family has long been at the centre of the typical Hollywood narrative. But the depiction of the nuclear family within contemporary mainstream US cinema has not yet been closely studied. Home Movies addresses this oversight by assessing recent cinematic representations of the family in terms of cultural politics and representations of gender, sexuality, race and class. Focusing on a diverse range of popular films - from Meet the Parents to The Incredibles - Claire Jenkins analyses the father-daughter relationship within sequels and series; Meryl Streep's embodiment of the mother; the superhero family and extraordinary manifestations of the ordinary family; disaster films which depict the president as father; 'mom-coms' and Hollywood's representations of the non-traditional family. She combines film studies, gender studies and family history to demonstrate the complexities of Hollywood's family values.

Superheroes: An Analysis of Popular Culture's Modern Myths

Superheroes: An Analysis of Popular Culture's Modern Myths PDF Author: David Reynolds
Publisher: Problematic Press
ISBN: 0986902705
Category : Language Arts & Disciplines
Languages : en
Pages :

View

Book Description
A semiotic and cultural anthropological interrogation of popular North American superhero narratives, such as those of Superman, Spider-Man, and Batman, provides insight into how media’s messages influence the culture’s ethical values. Since emerging in the late 1930s, the superhero has become a pervasive figure in North American popular culture. As an extension of ideas presented by Friedrich Nietzsche, Joseph Campbell, and Umberto Eco, this dissertation argues that superhero tales must be regarded as modern mythology. It follows that people observe and learn social norms of justice from such narratives, since these ideals are intrinsic to the tales. In investigating the superhero’s role as a contemporary figure of myth, this project focuses primarily on three areas: an account of the history of the superhero from 1938 to present; an examination of the cultural functions of contemporary superhero narratives; and, an interrogation of vigilantism, responsibility, and justice in these narratives and how those concerns further relate to ideologies and practices in North American culture.

Our Superheroes, Ourselves

Our Superheroes, Ourselves PDF Author: Robin S. Rosenberg PhD
Publisher: Oxford University Press
ISBN: 0199339511
Category : Psychology
Languages : en
Pages : 232

View

Book Description
Superhero fans are everywhere, from the teeming halls of Comic Con to suburban movie theaters, from young children captivated by their first comic books to the die-hard collectors of vintage memorabilia. Why are so many people fascinated by superheroes? In this thoughtful, engaging, and at times eye-opening volume, Robin Rosenberg--a writer and well-known authority on the psychology of superheroes--offers readers a wealth of insight into superheroes, drawing on the contributions of a top group of psychologists and other scholars. The book ranges widely and tackles many intriguing questions. How do comic characters and stories reflect human nature? Do super powers alone make a hero super? Are superhero stories good for us? Most contributors answer that final question in the affirmative. Psychologist Robert J. Sternberg, for instance, argues that we all can learn a lot from superheroes-and what we can learn most of all is the value of wisdom and an ethical stance toward life. On the other hand, restorative justice scholar Mikhail Lyubansky decries the fact that justice in the comic-book world is almost entirely punitive, noting extreme examples such as "Rorschach" in The Watchmen and the aptly named "The Punisher, who embrace a strict eye-for-an-eye sense of justice, delivered instantly and without mercy. In the end, the appeal of Superman, Batman, Spiderman, and legions of others is simple and elemental. Superheroes provide drama, excitement, suspense, and romance and their stories showcase moral dilemmas, villains we love to hate, and protagonists who inspire us. Perhaps as important, their stories allow us to recapture periods of our childhood when our imaginations were cranked up to the maximum--when we really believed we could fly, or knock down the bad guy, or save the city from disaster.

American Theology, Superhero Comics, and Cinema

American Theology, Superhero Comics, and Cinema PDF Author: Anthony Mills
Publisher: Routledge
ISBN: 113501437X
Category : Religion
Languages : en
Pages : 206

View

Book Description
Stan Lee, who was the head writer of Marvel Comics in the early 1960s, co-created such popular heroes as Spider-Man, Hulk, the X-Men, the Fantastic Four, Iron Man, Thor, and Daredevil. This book traces the ways in which American theologians and comic books of the era were not only both saying things about what it means to be human, but, starting with Lee they were largely saying the same things. Author Anthony R. Mills argues that the shift away from individualistic ideas of human personhood and toward relational conceptions occurring within both American theology and American superhero comics and films does not occur simply on the ontological level, but is also inherent to epistemology and ethics, reflecting the comprehensive nature of human life in terms of being, knowing, and acting. This book explores the idea of the "American monomyth" that pervades American hero stories and examines its philosophical and theological origins and specific manifestations in early American superhero comics. Surveying the anthropologies of six American theologians who argue against many of the monomyth’s assumptions, principally the staunch individualism taken to be the model of humanity, and who offer relationality as a more realistic and ethical alternative, this book offers a detailed argument for the intimate historical relationship between the now disparate fields of comic book/superhero film creation, on the one hand, and Christian theology, on the other, in the United States. An understanding of the early connections between theology and American conceptions of heroism helps to further make sense of their contemporary parallels, wherein superhero stories and theology are not strictly separate phenomena but have shared origins and concerns.

America's Battle for God

America's Battle for God PDF Author: Muller-Fahrenholz
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802844189
Category : History
Languages : en
Pages : 181

View

Book Description
A theologian and ecumenical consultant who has served in the World Council of Churches, the Lutheran Church, and Costa Rica, M ller-Fahrenholz tries to make some sense of religious undercurrents in the public culture and political life of the US. He hopes that an outsider may be able to identify elements that Americans are too close to see, acknowl

Marvel Comics into Film

Marvel Comics into Film PDF Author: Matthew J. McEniry,
Publisher: McFarland
ISBN: 0786443049
Category : Performing Arts
Languages : en
Pages : 280

View

Book Description
Marvel Studios' approach to its Cinematic Universe--beginning with the release of Iron Man (2008)--has become the template for successful management of blockbuster film properties. Yet films featuring Marvel characters can be traced back to the 1940s, when the Captain America serial first appeared on the screen. This collection of new essays is the first to explore the historical, textual and cultural context of the larger cinematic Marvel universe, including serials, animated films, television movies, non-U.S. versions of Marvel characters, films that feature characters licensed by Marvel, and the contemporary Cinematic Universe as conceived by Kevin Feige and Marvel Studios. Films analyzed include Transformers (1986), Howard the Duck (1986), Blade (1998), Planet Hulk (2010), Iron Man: Rise of Technovore (2013), Elektra (2005), the Conan the Barbarian franchise (1982-1990), Ultimate Avengers (2006) and Ghost Rider (2007).